SongTrellis
Music and Musical Know-how For You

Members
Join Now
Login

Home | How-Tos | Directory | Our Composers | The Rhythms | Play Rhythm | Rhythm Web | Tonematrix | Chord Grid | The Changes | Song Discussions | Public Ideas | SongTrellis Recommends... | Video Links | Great Performances | SongTrellis Music Editor | The Lessons | Jukebox | The Animations | Our Contributors | Latest Topics | Tunetext | Workscore Chord Entry | Chord Entry By Grid | Workscore Composer | Music Tool Lore | Harmonic Interval Palette | Harmony Projects | Search | Video Demonstrations | Playlists | What's a Songtrellis? | FAQ | Feedback

Author Charles Schoonmaker
Posted 3/12/03; 1:24:12 PM
Topic Getting To Know You
Msg# 3545 (in response to 3543)
Prev/Next 3544/3546
Reads 1677

Joe,  Glad you mentioned Porter.

Cole Porter's Begin the Beguine contains no mind benders but not only is it relaxing to play, he shows you a number of different clever ways to solve the same problem.

I use it as one of my main limber-up tunes on classical guitar.

For guitar,  transpose it to key of A.  That seems the perfect voicing for the instrument and it just floats right along.  Try it,  you'll love it.

 

blog comments powered by Disqus

Please join our community at SongTrellis. Our contributors welcome your comments, suggestions and requests. As soon as you join the site (or login if you are a member) a response form will appear here.




Last update: Wednesday, March 12, 2003 at 1:24 PM.