SongTrellis
Music and Musical Know-how For You

Members
Join Now
Login

Home | How-Tos | Directory | Our Composers | The Rhythms | Play Rhythm | Rhythm Web | Tonematrix | Chord Grid | The Changes | Song Discussions | Public Ideas | SongTrellis Recommends... | Video Links | Great Performances | SongTrellis Music Editor | The Lessons | Jukebox | The Animations | Our Contributors | Latest Topics | Tunetext | Workscore Chord Entry | Chord Entry By Grid | Workscore Composer | Music Tool Lore | Harmonic Interval Palette | Harmony Projects | Search | Video Demonstrations | Playlists | What's a Songtrellis? | FAQ | Feedback

Author Charles Schoonmaker
Posted 10/20/02; 1:06:45 AM
Topic Say it over and over again
Msg# 2946 (in response to 2944)
Prev/Next 2945/2947
Reads 1534

Grahame,

I have found bridges to be the biggest pains-in-the-ass to interpret from notation alone.

They often seem a personal afterthought wedged between to two numinos pieces of beautiful music.

I've gotten so frustrated,  I've taken to ditching the notated bridge and writing my own 'insert'...ne ..bridge... based on how I feel about the melodic lines it needs separate.

If nothing else,  this is a fun excercise in composition.

I'm certain this answers niether of your questions but perhaps it may be helpful in other ways.             Charles.

blog comments powered by Disqus

Please join our community at SongTrellis. Our contributors welcome your comments, suggestions and requests. As soon as you join the site (or login if you are a member) a response form will appear here.




Last update: Sunday, October 20, 2002 at 1:06 AM.