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This piece has a very interesting structure. The initial eight bar melody uses a
6/8 bell rhythm through most of the melody. The second eight bars repeats
this identical melody with an upward modulation. If you don't pay attention,
you may not notice that everything is playing in a new key. At bar 16, the
tune abruptly marches into 4/4, a monstrous rhythmic modulation. Similar
melodic and harmonic ideas happen here, giving the idea of the same life
lived in a new more active mode. Composed spring of 1996.
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Last update: Sunday, December 12, 1999 at 7:36 PM.