SongTrellis
Music and Musical Know-how For You

Members
Join Now
Login

Home | How-Tos | Directory | Our Composers | The Rhythms | Play Rhythm | Rhythm Web | Tonematrix | Chord Grid | The Changes | Song Discussions | Public Ideas | SongTrellis Recommends... | Video Links | Great Performances | SongTrellis Music Editor | The Lessons | Jukebox | The Animations | Our Contributors | Latest Topics | Tunetext | Workscore Chord Entry | Chord Entry By Grid | Workscore Composer | Music Tool Lore | Harmonic Interval Palette | Harmony Projects | Search | Video Demonstrations | Playlists | What's a Songtrellis? | FAQ | Feedback

Author Michael Quirk
Posted 1/10/07; 7:19:50 PM
Topic Round Midnight
Msg# 5127 (in response to 362)
Prev/Next 5126/5128
Reads 1273

The old timers i worked with actually used this on the first two measures:

Eflatm,/,D7(!),Dflat7,,c-5,F-9,b-5(under the Bflat and Aflat!),E,,Eflatm....

I always thought the close before the bridge and at the end should be:

C7-5, F7, B7, E7-5,,Eflatm.....This echoes the four beat progression earlier in the piece, usually B,E,Bflat,Eflat,, before the aminor.

Just a thought.


There are responses to this message:
blog comments powered by Disqus

Please join our community at SongTrellis. Our contributors welcome your comments, suggestions and requests. As soon as you join the site (or login if you are a member) a response form will appear here.




Last update: Wednesday, January 10, 2007 at 7:19 PM.