SongTrellis
Music and Musical Know-how For You

Members
Join Now
Login

Home | How-Tos | Directory | Our Composers | The Rhythms | Play Rhythm | Rhythm Web | Tonematrix | Chord Grid | The Changes | Song Discussions | Public Ideas | SongTrellis Recommends... | Video Links | Great Performances | SongTrellis Music Editor | The Lessons | Jukebox | The Animations | Our Contributors | Latest Topics | Tunetext | Workscore Chord Entry | Chord Entry By Grid | Workscore Composer | Music Tool Lore | Harmonic Interval Palette | Harmony Projects | Search | Video Demonstrations | Playlists | What's a Songtrellis? | FAQ | Feedback

Author Charles Schoonmaker
Posted 12/2/03; 4:04:04 PM
Topic At Seventeen
Msg# 3973 (in response to 3971)
Prev/Next 3972/3974
Reads 1829

Dave,

Thanks for Seventeen. This is basically the same arrangement I've been using. For those who want to apply a little lead voice on guitar,....break the first C down into C9, C, Cma7, C,....then substitute a Fma7 for the Dm. They are both quite similar in this usage but you'll see the high E in the Fma7 provides a perfect voice for the melody. With this I'll shut up about the meat of the tune and let y'all take it from there....and for further fun, The wind-up Cma7 gets really rich if you use a Cma7/G. Just fret the bottom G below the C and strum up across all six strings. Very pretty, very powerful.

Chas


There are responses to this message:
blog comments powered by Disqus

Please join our community at SongTrellis. Our contributors welcome your comments, suggestions and requests. As soon as you join the site (or login if you are a member) a response form will appear here.




Last update: Tuesday, December 2, 2003 at 4:04 PM.