Following 'Wrap Around' I would like to introduce the link between chromatic and pentatonic harmonic movement. In 'Descent' I have illustrated how chromatic descents in the right hand, accompanied by normal 5th movements in the bass can achieve some odd results.
Example 1. The chords are C9 - F7+ - Bb9 - Eb7+ etc.
Example 2. " " " C13 - F7#11 - Bb13 - Eb7#11 etc.
Note how the two types of chords alternate.
There are several more combinations whch could be used.
I have posted a gif file, which will hopefully assist in the understanding of these progressions, which may be useful for pianists and guitarists to minimise movement.
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Last update: Wednesday, November 6, 2002 at 6:25 AM.