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Joe - glad you liked them. Here are the changes and the thinking behind them - Sid Toasted changes: All chords are over a pedal D. Bar lines represented by [. Multiple chords in a bar separated by : [ A [ A [ E5b [ E5b [ The changes relate to the following scales: Since a scale is just a spread chord built of seconds, pretty nearly ANY combination of notes from the scale (including all of them at the same time!) will be a usable chord voicing in the corresponding bar. That's the principle I was testing to destruction in this number.
Each bar is 10 beats, changes divided [ 4 : 4 : 2 [. The pickup is the last chord in the last bar. Here are the basic changes, omitting the 9ths, #11ths and 13ths added by the melody and the improvised lines. [ Gmi7 : Ebmaj7 : Dmi7 [ Bbmaj7 : Ami7 : Fmaj7 [ Each mi11 sounds best if the 3rd and 5th is omitted. The final Ab chord is synonymous with D7 9#. There are responses to this message:
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Last update: Wednesday, July 25, 2001 at 1:11 AM. |